Existing state and local competitions are:
If you want more information about any of the competitions listed above, contact the contest organizers. Their numbers can be found in the AYYA roster included is this issue. Encourage anyone you know to contact us as we are here to help all interested yoers.
Would you like to organize a contest in your area? The AYYA will supply Gold, Silver and Bronze awards for each division as well as send you information on how to run a contest and put you in contact with other Yo-Yo enthusiasts in your area.
The 1994 IJA International Pro-Am competition (Aug. 13, Burlington, VT) was
the best to date for that venue. There were 24 contestants (no locals)
coming from all over the U.S. and one from Yokohama, Japan. The humidity
was terrible. For those of you who live where high humidity is common, you
know what havoc it can cause with the play between your fingers and the
string. The purpose in mentioning this is to introduce you to a great
device found by Bill de Boisblanc. He came to the competition wearing a
billiard glove. The billiard glove has two fingers (the first two) and a
thumb. It is tight fitting and made of thin nylon. This allowed the Yo-Yo
string to slide over the fingers without a hint of drag. Bill said that
most billiard parlors should have them but he cautioned to not buy the one
with the Velcro fastening as the string will hang up on it.
The winners were as follows:
Pro/Am Division;
Advanced, Seniors;L
Advanced, Juniors;
Novice, 11 & under
There are four possible outcomes:
Many of the purists detest them with no reservations whatsoever. There is
something innate in the soul of many people who have spent decades learning
an art form that abhors any innovation which allows someone to apparently
"master" their art form with a few hours of practice; and who can blame
them.
I have better than a ten second sleeper with a No Jive. I devoted hundreds
of hours to developing it. I am extremely proud of it. And I don't like
seeing some neophyte (who doesn't even know what string maintenance is)
doing 20 second sleepers with $100 worth of equipment and two hours of
practice. That I can make that same yo-yo sleep for a minute is a small
consolation in the face of so much "instant talent".
Granted, there is the intellectual side of us which does realize that
though the appearance of mastery is there, in reality these over-night
wonders are restricted to a narrow range of tricks in which they will be
able to simulate proficiency (most notably picture tricks). Our mind knows
that these over-night wonders lack the depth which makes advanced string
tricks possible till they have devoted a few more hundred hours to the
basics; but still, the heart rebels.
Even the existence of the transaxle is a minor form of blasphemy to the
true purist, but the issue cuts across right to the bone when the question
arises of whether these unholy items should be allowed in competitions.
And here it gets hard to separate the mind from the heart. I don't fear
that anyone with less that a few hundred hours of practice is going to beat
me in a competition. I don't care if they're using a million dollar
titanium yo-yo with an electric motor and navigational quality gyroscope
bearings. Equipment does not equal talent, and we know this; but it is
still a potent equalizer.
As an example: I recently competed in a competition where transaxle yo-yos
were legal, and two of the competitors were using them.
One of the competitors was using a $100 transaxle yo-yo, and she beat me by
a narrow margin. This competitor, however, has had about as many hours of
practice as I have (possibly more); and even beat me (by almost the same
margin) with a standard axle yo-yo a year ago. Losing to a transaxle under
these circumstances does not hurt my pride a bit.
The other contestant, though they didn't perform well enough to be a threat
to me, was obviously competing well above his level of talent (and even
admitted that he couldn't even use a non-transaxle yo-yo). This contestant
probably only had one or two hundred hours of practice (if that); as
compared to my few thousand hours of practice. As could be predicted, he
lost big points on looping tricks, and did quite poorly on string
tricks.
Like I said, I'm not worried about any joker with less that a hundred hours
of practice: They're not going to beat me no matter what they are
throwing. I'm worried about the guy with 500 hundred hours of practice and
a transaxle. Now there I could get beat, particularly if the trick list
was heavy on picture tricks.
It's a given that transaxles don't perform equally well with standard axles
for every class of tricks. If they did, there would have been no rational
for their development in the first place.
And that is what transaxles are, a specialty yo-yo developed to excel in a
narrow range of tricks. But they are not designed to compete directly
against standard axle yo-yos, nor should they be allowed to.
If someone wants to open a separate division just for transaxles, that's
fine by me; but I don't care to see cars and motorcycles competing head to
head in the same race, and there are good reasons why they don't.
There must be thirty or more deceased Yo-Yo pros. We need to put together
some information about them before it gets lost forever. We are looking for
things like media articles, pictures, tricks they invented, their favorite
Yo-Yos, their favorite tricks and personal histories. If you can help
locate any of these things, please get in touch with me at AYYA, 14534
Wallingford, Seattle, WA 98133. Materials that you desire to keep can be
copied and returned.
The Yo-Yo Hall of Fame will be part of the Duncan Family Yo-Yo Museum that
is opening this month at the new facilities of Playmaxx, Inc. (makers of
the Pro-Yo) at 2900 Country Club, Tucson, AZ 85716. (602) 322-0100 - FAX
(602) 325-1614.
Transaxles, Dale Oliver
Transaxles, Bill Alton
YO-YO HALL OF FAME
How can I contact the children of: